Tag Archives: David Bowie

David Bowie art: cementing the reputation of a giant of twentieth century culture

David Bowie ART? Really?

Absolutely.

Alongside his abundant musical innovation, David Bowie art showed another side of a great creative force. David Bowie art, expressed through a multiplicity of media, cements his reputation as a giant of twentieth century culture.

David Bowie, creative giant: RIP.

Here’s my review of the extraordinary ‘David Bowie is’ exhibition I visited in Paris last spring.

Aladdin Sane photo on David Bowie is poster in Paris

David Bowie is poster directing you to la Phiharmonie de Paris

David Bowie is, now showing at la Philharmonie de Paris, is a fine exhibition. The venue – the brand-new-but-not-quite-finished Philharmonie – is superlative.

David Bowie is: rich content

David Bowie is gathers together a rich array of content from a wide spectrum of media, much of it supplied by Bowie himself.

Apart from the kind of artefacts you’d see in any rock art exhibition – photographs, album cover artwork, gig posters, ephemera, handwritten lyrics, instruments, video and audio clips – you also get designs, drawings, stage sets and costumes, and clothing, tracking David Bowie as an indefatigable style icon.

That’s what you’d expect: David Bowie is a multi-faceted creative – songwriter, singer/musician espousing innumerable genres, serial creator of personas, choreographer, film actor… .

David Bowie is also, of course, an occasional painter: he mounted his first solo show, New Afro/Pagan And Work, in 1995 at The Gallery, Cork St, London W1.

Sexual ambiguity, forays into high culture and regular Zeitgeist-challenging changes of direction add to the allure of David Bowie as a subject for a rock art show. David Bowie is doesn’t disappoint.

David Bowie is: strengths

My lasting impression of the David Bowie is exhibition is of the iconic photography and, especially, the compelling album cover artwork.

David Bowie is Paris exhibition

Entering David Bowie is at la Philharmonie

My preferred album covers include: Brian Duffy’s Aladdin Sane portrait (1973), used as the exhibition poster by la Philharmonie; the striking monochrome Masoyoshi Sukita portrait for “Heroes” (1977); and Guy Peellaert’s appropriately disturbing artwork for Diamond Dogs (1974).

David Bowie is: weaknesses

David Bowie is has no obvious weaknesses. It’s a rich collection, well curated. There’s even a sumptuous hardback catalogue which will take pride of place on fans’ bookshelves.

My attention lagged, however, when confronted by stage costumes, sets and fashion. They interest me far less than they would most David Bowie fans, I’d imagine.

David Bowe is Paris catalogue

Catalogues/merchandise, David Bowie is

David Bowie is: la Philharmonie de Paris

Familiar with David Bowie is from 2013’s inaugural exhibition at the Victoria & Albert Museum, London, I spent most of my visit admiring the magnificent new building hosting the show.

La Philharmonie de Paris, designed by Jean Nouvel, was opened after much delay in January – still, embarrassingly, unfinished.

La Philharmonie de Paris

The newly-opened, not-quite-finished Philharmonie de Paris, at Cite de la Musique, venue for David Bowie is

Located in la Cite de la Musique, at Porte de Pantin in NE Paris, just inside the Peripherique, la Philharmonie is easily accessible by Metro and tram.

Approaching the site on foot, I saw an unpromising hulk rising above the hyper-urban transport hub. Maybe it’s a temporary storage facility for grit used to de-ice the Periph in winter, I mused.  “Please don’t let that be la Philharmonie,” I pleaded aloud to the God of Architecture.

Thankfully, that view from distance is misleading. Close up, la Philharmonie is an exciting addition to the Paris cityscape, with its challenging shapes, high quality materials and impressive build quality.

It all adds up to a building which is easy to navigate and a pleasure to explore. It seems fit for purpose, too – I’ll be confirming that by attending a concert there just as soon as a suitable gig entices me.

La Cite de la Musique already had an impressive track record of curating an unparalleled programme of rock art shows. In recent years, I’ve seen outstanding Miles Davis and Bob Dylan exhibitions and just missed shows devoted to Great Black Music, and Punk.

David Bowie is: the first global rock art exhibition

I’d guess that London’s Victoria & Albert Museum was tempted to create the David Bowie is exhibition by the myriad creative possibilities of a rock art show devoted to a polymath like David Bowie. That, and its tempting audience potential.

The enormous customer base of David Bowie fans – almost by definition, receptive to artistic, even avant-garde, expression – presumably emboldened the V&A to create a show at the junction of pop and high culture, popular but also acceptable to major public galleries acting as gatekeepers of the artistic canon.

After successful spells in London, Chicago, and now Paris, David Bowie is moves next to Melbourne, Australia (16 July-1 November) and then Groningen, in the Netherlands (15 December-13 March 2016).

The David Bowie is exhibition is the first large-scale global rock art show.  Bravo the V&A and its international partners!

David Bowie is runs at la Philharmonie de Paris until 31 May. If you’re a Bowie or rock art fan with access to Paris, you won’t want to miss it.

If you’re a fan of bold, contemporary architecture, you’ll soon be visiting la Philharmonie de Paris anyway, regardless of David Bowie is.

Copyrights: text and photographs © Gerald Smith, Rock Art Editions. David Bowie images © David Bowie Archive. Aladdin Sane photograph by Brian Duffy. Exhibition posters © la Philharmonie de Paris. Unauthorised reproduction prohibited.

David Bowie is – la Philharmonie de Paris: fine exhibition, superlative venue

Aladdin Sane photo on David Bowie is poster in Paris

David Bowie is poster directing you to la Phiharmonie de Paris

David Bowie is, now showing at la Philharmonie de Paris, is a fine exhibition. The venue – the brand-new-but-not-quite-finished Philharmonie – is superlative.

David Bowie is: rich content

David Bowie is gathers together a rich array of content from a wide spectrum of media, much of it supplied by Bowie himself.

Apart from the kind of artefacts you’d see in any rock art exhibition – photographs, album cover artwork, gig posters, ephemera, handwritten lyrics, instruments, video and audio clips – you also get designs, drawings, stage sets and costumes, and clothing, tracking David Bowie as an indefatigable style icon.

That’s what you’d expect: David Bowie is a multi-faceted creative – songwriter, singer/musician espousing innumerable genres, serial creator of personas, choreographer, film actor… .

David Bowie is also, of course, an occasional painter: he mounted his first solo show, New Afro/Pagan And Work, in 1995 at The Gallery, Cork St, London W1.

Sexual ambiguity, forays into high culture and regular Zeitgeist-challenging changes of direction add to the allure of David Bowie as a subject for a rock art show. David Bowie is doesn’t disappoint.

David Bowie is: strengths

My lasting impression of the David Bowie is exhibition is of the iconic photography and, especially, the compelling album cover artwork.

David Bowie is Paris exhibition

Entering David Bowie is at la Philharmonie

My preferred album covers include: Brian Duffy’s Aladdin Sane portrait (1973), used as the exhibition poster by la Philharmonie; the striking monochrome Masoyoshi Sukita portrait for “Heroes” (1977); and Guy Peellaert’s appropriately disturbing artwork for Diamond Dogs (1974).

David Bowie is: weaknesses

David Bowie is has no obvious weaknesses. It’s a rich collection, well curated. There’s even a sumptuous hardback catalogue which will take pride of place on fans’ bookshelves.

My attention lagged, however, when confronted by stage costumes, sets and fashion. They interest me far less than they would most David Bowie fans, I’d imagine.

David Bowe is Paris catalogue

Catalogues/merchandise, David Bowie is

David Bowie is: la Philharmonie de Paris

Familiar with David Bowie is from 2013’s inaugural exhibition at the Victoria & Albert Museum, London, I spent most of my visit admiring the magnificent new building hosting the show.

La Philharmonie de Paris, designed by Jean Nouvel, was opened after much delay in January – still, embarrassingly, unfinished.

La Philharmonie de Paris

The newly-opened, not-quite-finished Philharmonie de Paris, at Cite de la Musique, venue for David Bowie is

Located in la Cite de la Musique, at Porte de Pantin in NE Paris, just inside the Peripherique, la Philharmonie is easily accessible by Metro and tram.

Approaching the site on foot, I saw an unpromising hulk rising above the hyper-urban transport hub. Maybe it’s a temporary storage facility for grit used to de-ice the Periph in winter, I mused.  “Please don’t let that be la Philharmonie,” I pleaded aloud to the God of Architecture.

Thankfully, that view from distance is misleading. Close up, la Philharmonie is an exciting addition to the Paris cityscape, with its challenging shapes, high quality materials and impressive build quality.

It all adds up to a building which is easy to navigate and a pleasure to explore. It seems fit for purpose, too – I’ll be confirming that by attending a concert there just as soon as a suitable gig entices me.

La Cite de la Musique already had an impressive track record of curating an unparalleled programme of rock art shows. In recent years, I’ve seen outstanding Miles Davis and Bob Dylan exhibitions and just missed shows devoted to Great Black Music, and Punk.

David Bowie is: the first global rock art exhibition

I’d guess that London’s Victoria & Albert Museum was tempted to create the David Bowie is exhibition by the myriad creative possibilities of a rock art show devoted to a polymath like David Bowie. That, and its tempting audience potential.

The enormous customer base of David Bowie fans – almost by definition, receptive to artistic, even avant-garde, expression – presumably emboldened the V&A to create a show at the junction of pop and high culture, popular but also acceptable to major public galleries acting as gatekeepers of the artistic canon.

After successful spells in London, Chicago, and now Paris, David Bowie is moves next to Melbourne, Australia (16 July-1 November) and then Groningen, in the Netherlands (15 December-13 March 2016).

The David Bowie is exhibition is the first large-scale global rock art show.  Bravo the V&A and its international partners!

David Bowie is runs at la Philharmonie de Paris until 31 May. If you’re a Bowie or rock art fan with access to Paris, you won’t want to miss it.

If you’re a fan of bold, contemporary architecture, you’ll soon be visiting la Philharmonie de Paris anyway, regardless of David Bowie is.

Copyrights: text and photographs © Gerald Smith, Rock Art Editions. David Bowie images © David Bowie Archive. Aladdin Sane photograph by Brian Duffy. Exhibition posters © la Philharmonie de Paris. Unauthorised reproduction prohibited.

Rock Art in October: David Bowie, Mick Jagger, Bob Dylan…

Davis Bowie from Aladdin Sane shoot

David Bowie Is exhibition catalogue © The David Bowie Archive

October sees some major rock art shows, with David Bowie, Mick Jagger and Bob Dylan among the featured musicians.

Here are some of the exhibitions I’d like to attend.

DAVID BOWIE: David Bowie Is, originally held at London’s V&A, has just opened at The Museum of Contemporary Art Chicago, the only US venue on its world tour. The exhibition showcases 400+ objects, mainly from the David Bowie Archive, including handwritten lyrics, photographs, and album cover artwork, as well as costumes and sets. Admission $25, $10 children 7–12, free for the under-6s. 23 Sept-4 Jan 2015. Supported by a desirable catalogue ($35 paperback/$55 hardback).

MICK JAGGER by Richard Hamilton: Richard Hamilton’s magnificent retrospective, featuring mixed media tableaux of a handcuffed Mick Jagger, and originally shown at Tate Modern in London, has now opened at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. To 13 October. Highly recommended.

BOB DYLAN by Richard Avedon: Richard Avedon People – Perth, Western Australia exhibition of 80 photographs by Richard Avedon, including an evocative shot of Bob Dylan on a cold February 1965 day in Central Park. Art Gallery of WA, Perth, Australia. To 17 Nov.

KEITH RICHARDS, LOU REED, AMY WINEHOUSE in Paris: Sonic is a new exhibition of portraits of musicians by Hedi Slimane, photographer and Yves Saint Laurent designer, at Fondation Pierre Bergé–Yves Saint Laurent, in Paris. It showcases shots of Lou Reed, Keith Richards, Amy Winehouse and Brian Wilson taken in London, New York, and California. 18 Sept-11 Jan 2015. Fondation Pierre Bergé–Yves Saint Laurent

PETER BLAKE: A new permanent mural, Appearing at the Royal Albert Hall, on display near the Cafe Bar, Royal Albert Hall, London. Free. Gathers 400+ performers who have appeared since the Hall opened. Notable rock musicians include Bob Dylan, David Bowie, Jimi Hendrix, Queen, The Rolling Stones, and The Who.

 

You are strongly advised to check details with a venue’s website before travelling – some shows require advance booking and details can change, often at short notice.

Have you seen any of these shows? What did you think of it? Your comments are very welcome. Have I missed an important show?

Visitors and galleries: please tell us of any show we have missed, for inclusion in next month’s round-up. Please send comments/details of shows to ROCK | ART | EDITIONS via “Leave a reply” at the top of this post.

Compilation © ROCK | ART | EDITIONS 2014